![]() |
|||||||||||||||||||||
|
Virtuoses Klangschalenkonzert, das nicht nur Obertöne,
sondern auch Rhythmus und Kompositionsstruktur bietet.
the projectBy the expression of subtle harmonic relationships,
Tibetan Bells III, quickly transcends the temporal domain.
The resonance of the Tibetan bell tones, far richer than any synthetically
produced sound, builds an increasingly fine perception and subtle
comprehension in the listener.
The purity of tone and long haunting echoes of Tibetan Bells III create an audible curtain permitting the listener to perceive a universe which extends beyond conventional limits. The spectacular duration and purity of the bell tones can be attributed to more than their composition. Wolff and Hennings are the sounding boards through which we can approach a visionary realm. the artistsTIBETAN BELLS III completes the musical
odyssey of
Wolff and Hennings' first album, Tibetan Bells,
created a stir when it was released in 1971. It represented a pioneering
style of music, unfamiliar to an audience experienced only in Western
modes of composition and instrumentation. In 1978, they recorded Tibetan
Bells II (13005) in San Francisco. The
subsequent contribution by Wolff and Hennings to the In 1983, the artists released Yamantaka (13003)
with the collaboration of discographytracklist
|
|||||||||||||||||||||
|
|
|||||||||||||||||||||
![]() |